Tikfilmer runs a full-story filmmaking workflow. Asset Extraction pulls the characters, locations and props out of a written story, asset images are generated from those, a Director Agent plans and refines the shots, video generation produces the cinematic clips, and a rough cut assembles and exports the film.
Extracting assets from the story before generating anything is the right order of operations and the opposite of how prompt-driven video works. Generating shot by shot means the protagonist’s face, the room and the props drift between clips, because nothing holds them. Establishing them as fixed assets first and shooting against them is how continuity is maintained in actual production, and it is the only structure that scales past a single clip.
The workflow is gamified with points for completing each stage – up to 500 across the five steps on a limited-time offer – which is an odd fit for a filmmaking tool and suggests activation is the current priority. No pricing is visible on the landing page and no company is named. A Director Agent planning shots produces competent coverage rather than a point of view, generated clips still need a human to judge whether the scene works, and points expiring on a date is a marketing mechanic rather than a product one.
